Is The Magic Flute a remarkable fairy-tale with comic elements, a folk comedy or an encoded work, full of freemason symbols? Is it merely a story of love overcoming all obstacles, or a piece motivating the viewer to attempt achieving perfection? – The work contains all these planes and because of this it remains a challenge for all producers.
Mozart’s last opera, a fairy-tale singspiel from 1791 to the libretto of E. Schikaneder is a true masterpiece. The magical fairy-tale story is a multi-layered play full of fantasy, humour, but also philosophy. The characters of prince Tamino, princess Pamina, the wise Sarastro, the evil Queen of the night and especially the jolly bird-fancier Papageno address and entertain their viewers worldwide for over 200 years.
Premiere: Oct 20, 1995
Running time: 2 hours 35 minutes with 1 intermission
Performed in German with Czech captions
Staging team
Conductor: G. Tourniaire, R. Hein
Stage director: L. Štros
Set designer: V. Nývlt
Costume designer: J. Jelínek
Choreography: O. Šanda
Chorus master: T. Karlovič
Cast
Sarastro: M. Bürger, L. Hynek-Krämer, L. Mlejnek
Tamino: A. Briscein, M. Šrejma
1st priest: L. Havlák, J. Moravec
Speaker and 2nd priest: P. Klečka, R. Vocel
Queen of the Night: A. Todorova, J. Sibera, D. Vaňkátová
Pamina: L. Vernerová, P. Vykopalová, A. Miro
1st Lady: D. Koklesová, H. Jonášová
2nd Lady: S. Čmugrová, P. Vykopalová
3rd Lady: A. Kalivodová, J. Levicová
Papageno: A. Plachetka, V. Sibera
Papagena: E. Jarkovská, M. Bauerová
Monostatos: J. Hruška, J. Ondráček
1st slave: J. Šilhán
2nd slave: T. Kyndl
Genius: Sólisté sboru Pueri Gaudentes, Kühn’s Children’ Choir
The Prague State Opera resides in the building which on January 5, 1888 was opened as a Prague German stage with the performance of Wagner’s opera, The Mastersingers of Nürnberg. In the 19th century, Prague Germans performed in the Estate’s Theater in alternation with a Czech company. Desire for their own theater led to negotiations in 1883 for the construction of a new theater building for the German Theater Association. Over the next three years, a blueprint was drawn up and handed over to the Vienna atelier of Fellner and Hellmer. Also sharing in the design was the architect of the Vienna Municipal Theater, Karl Hasenauer, while Prague architect Alfons Wertmüller took part in the construction. Financing came from private collections. With its spacious auditorium and neo-Rococo decoration, this theater building is among the most beautiful in Europe. The first director of the new German theater was Angelo Neumann, who acquired well known performers and soon brought the new theater to a high artistic level of international significance. Major figures which worked here included directors Carl Muck, Franz Schalk, and Leo Blech, or singers such as alto V. Nigrini and tenor A. Wallnhöfer.
After Neumann’s death in 1910, Alexander Zemlinsky became the director of the opera from 1911–1927. A great director and composer, Zemlinsky enriched Prague’s cultural life with his unrivalled interpretations of Mozart’s works and significant stagings of works by E. Krenek, P. Hindemith, E. W. Korngold, F. Schreker, as well as his own works. During his era, first-rate artists appeared here such as M. Müller, M. Huss, F. Schorr, L. Slezak, R. Tauber, L. Lehmann and others. Under his successor, Georg Szell, works by modern composers were also performed. The theater featured a remarkably wide repertoire, even including works from Prague German composers (F. Finke, T. Veidl, H. Krása). The company also had excellent singers at its disposal (R. Pauly, R. Stevens, K. Baum, H. Hotter etc.). The final performance in the theater took place on September 25, 1938, when the Theater Association terminated all contracts and sold the theater building to the Czechoslovak state. During the occupation, the theater did not have any regular performances under the name of The Prague German Opera. There were only occasional guest performances by a few German companies.
Among the exceptional artistic figures who performed here were directors Gustav Mahler, Richard Strauss, Felix Mottl, Arthur Nikisch and Felix Weingartner, as well as soloists Anna Bahr-Mildenburg, Berta Lauterer-Foerster, Maria Jeritza, Nellie Melba, Karl Burian, Enrico Caruso, Benjamino Gigli, Jan Kiepura, Richard Kubla, and Tino Pattiera. After liberation, the building was handed over to the May 5th Theater, which later became part of the National Theater. Since its inception in 1992, the Prague State Opera has celebrated the tradition of the New German Theater, not only through the space in which it plays, but above all through the dramaturgy and establishment of its own documentation center, which would like to archive the activities of the NDT (New German Theater), since the archive of this theater has unfortunately been irretrievably lost.
Travel
From the Airport
Take Bus No. 119 to the stop “Dejvická”, from which you enter the metro station of the same name (on the A line) and ride in the direction toward “Skalka” to the station “Museum”. Leave the vestibule via the stairs leading to Washington Street. At the intersection with Politických vězňů Street turn right and, via the pedestrian underpass under Wilson Street, approach the main entrance into the Prague State Opera.
From the main train station
Leave the lower lobby of the station in the direction toward Washington Street. At the intersection with Politických vězňů Street turn left and, via the pedestrian underpass under Wilson Street, approach the main entrance into the Prague State Opera.
From the old town square
Pass through Franz Kafka Square and along Kaprova Street to the metro station “Staroměstská” (on the A line), from which you ride in the direction toward “Skalka” to the station “Museum”. Leave the vestibule via the stairs leading to Washington Street. At the intersection with Politických vězňů Street turn right and, via the pedestrian underpass under Wilson Street, approach the main entrance into the Prague State Opera.
From the Pargue Castle
Pass through the complex of the Prague Castle and along adjacent streets following tourist signs to the metro station “Hradčanská” (on the A line), from which you ride in the direction toward “Skalka” to the station “Museum”. Leave the vestibule via the stairs leading to Washington Street. At the intersection with Politických vězňů Street turn right and, via the pedestrian underpass under Wilson Street, approach the main entrance into the Prague State Opera.